The following books would be appropriate to read to have a more varied view of Africa as a whole. Most deal with themes we will be discussing in our book but will help give you a view of many different authors from Africa and the diversity of the stories and storytelling. Enjoy!
Things Fall Apart- Chinua Achebe
Amazon.com
One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy:
Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.
And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him.
Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber
The Number One Ladies Detective Agency- Alexander Mccall Smith
Penzler Pick, July 2001: Working in a mystery tradition that will cause genre aficionados to think of such classic sleuths as Melville Davisson Post's Uncle Abner or Robert van Gulik's Judge Dee, Alexander McCall Smith creates an African detective, Precious Ramotswe, who's their full-fledged heir.
It's the detective as folk hero, solving crimes through an innate, self-possessed wisdom that, combined with an understanding of human nature, invariably penetrates into the heart of a puzzle. If Miss Marple were fat and jolly and lived in Botswana--and decided to go against any conventional notion of what an unmarried woman should do, spending the money she got from selling her late father's cattle to set up a Ladies' Detective Agency--then you have an idea of how Precious sets herself up as her country's first female detective. Once the clients start showing up on her doorstep, Precious enjoys a pleasingly successful series of cases.
But the edge of the Kalahari is not St. Mary Mead, and the sign Precious orders, painted in brilliant colors, is anything but discreet. Pointing in the direction of the small building she had purchased to house her new business, it reads "THE NO. 1 LADIES DETECTIVE AGENCY. FOR ALL CONFIDENTIAL MATTERS AND ENQUIRIES. SATISFACTION GUARANTEED FOR ALL PARTIES. UNDER PERSONAL MANAGEMENT."
The solutions she comes up with, whether in the case of the clinic doctor with two quite different personalities (depending on the day of the week), or the man who had joined a Christian sect and seemingly vanished, or the kidnapped boy whose bones may or may not be those in a witch doctor's magic kit, are all sensible, logical, and satisfying. Smith's gently ironic tone is full of good humor towards his lively, intelligent heroine and towards her fellow Africans, who live their lives with dignity and with cautious acceptance of the confusions to which the world submits them. Precious Ramotswe is a remarkable creation, and The No. 1 Ladies' Detective Agency well deserves the praise it received from London's Times Literary Supplement. I look forward with great eagerness to the upcoming books featuring the memorable Miss Ramotswe, Tears of the Giraffe and Morality for Beautiful Girls, soon to be available in the U.S. --Otto Penzler
The Poisonwood Bible- Barbara Kinsolver
From Publishers Weekly
In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.
Petals of Blood- Ngugi wa Thiongo
This is a multilayered and fascinating book that addresses various problems in post-independence Kenya.What starts as a murder investigation with the detention of 4 people Munira,Abdullah,Karega and Wanja goes on to reveal issues such as corruption,politics,Urbanisation,social dislocation,colonialism,the emergency period and the African elite.As the novel unfolds the lives of the 3 people murdered entwines that of the detainees in numerous ways.It is also a who dunnit.The detainees are Munira- a teacher,Abdullah-an intinerant trader,Karega- a trade unionist and Wanja a scarlet lady..It is set mainly in the rustic village of Ilmorog in Kenya that later becomes a boomtown.Ngugi tells not only the story of Kenya but that of Africa and other colonised peoples worldwide.It is indeed as relevant today as it was in 1977 when published.
I Laugh So I Won't Cry: Kenya's Women Tell The Story Of Their Lives (Paperback)
I haven't read this but it might be interesting for our novel. Use parent discretion if you want to read this one.
In I Laugh So I Won’t Cry, Kenya’s women tell their stories of love, struggle, happiness, and tragedy in their own words. I Laugh strikes a balance between intimate acquaintance and a comprehensive view. In-depth portraits allow readers to know a diverse selection of women intimately. Topical chapters feature the voices of a large range of women talking about the subjects closest to their hearts. Chapters cover: marriage, childrearing, work and getting by when there is no work, women’s self-help groups, genital cutting, ethnic tensions, and the new government that has promised huge reforms. I Laugh shows the full panorama of women’s struggles in sub-Saharan Africa without sacrificing the vivid details of individual lives. Subsistence farmers, herders, beggars, sex workers, office workers, hawkers, business executives and a few friends who stopped an ethnic war all speak in I Laugh So I Won’t Cry. I Laugh will interest readers who seek to understand the multiple realities of contemporary Africa. Excerpts from I Laugh So I Won’t Cry: On Husbands “You know, men don't like laughing with their wives. Other men will say, ‘Don't laugh with her. You are showing her that you love her too much. She will shame you. She will make you serve tea.’ So they just sit stony-faced.” “A man wouldn't like the woman to know how much money he has. If a wife asks her husband to buy something that is needed, like soap or tea, he will ask himself, ‘Now, how did she know that I have money in my pocket?’” On Education “Women who have been educated are respected. A husband knows that she is also an independent person and can do things on her own. The man is scared. He thinks maybe that if he hits her she is free to leave, but an uneducated lady is just forced to stay even if she gets problems in her marriage.” On Female Genital Cutting “Our mothers live with us. They will say it must be done. I can't disagree with my mother regarding my daughter. But for my daughter's daughter, it will change.” “There's the social pressure, even when they are very young. Because it is being done to all her friends in school, she would feel that you are denying her right. “
by Helena Halperin
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